
Week of April 21--25
SPEECH
|
Date |
Topic and Homework |
|
Monday, 4/21 |
Demonstration Speeches |
|
Tuesday, 4/22 |
Demonstration Speeches |
|
Wednesday, 4/23 |
Demonstration Speeches |
|
Thursday, 4/24 |
Demonstration Speeches |
|
Friday, 4/25 |
Demonstration Speeches |
|
Announcements: |
|
DRAMA I
|
Date |
Topic and Homework |
|
Monday, 4/21 |
|
|
Tuesday, 4/22 |
|
|
Wednesday, 4/23 |
|
|
Thursday, 4/24 |
|
|
Friday, 4/25 |
|
|
Announcements: |
|
DRAMA 24
|
Date |
Topic |
|
Monday, 4/21 |
|
|
Tuesday, 4/22 |
|
|
Wednesday, 4/23 |
|
|
Thursday, 4/24 |
|
|
Friday, 4/25 |
|
|
Announcements: |
|

2007-08
District 5, Troupe #2449
Congratulations—we’re
going to State!
Ashley
Paine Best in Show!
Solo Musical: “Always True To You
in My Fashion”,
Kiss Me, Kate
Patrick
Hurlburt, Kailey Billings, Jonathan Burnett,
Zac
Gobetz, Kristin Hardy,
Bailey
Hurlburt, Aubrey James,
Large Group Musical: “Trouble”, The Music Man
Kristin
Hardy, Neil Candelora,
Small Group Musical: “Coffee in a
Cardboard Cup”,
70 Girls 70
Kailey Billings,
Duet Musical: “If Momma Was
Married”, Gypsy
Patrick
Hurlburt, Bailey Hurlburt
Duet Musical: “The Doctor Is In”, You’re A Good Man, Charlie Brown
Sophia Khan
Costume Design: Everyman
Congratulations also to the following events that also earned
Kristin Hardy, Solo Musical
Dakota House, Monologue
Emily Schwartz, Solo Musical
(Actors—Dakota House, Ashley Paine,
Neil Candelora)
Excellent!
Zac Gobetz, Monologue
Julia Manchester, Monologue
Acting Ensemble with
An
aesthetic to ponder:
“What is the
difference between Drama and Theatre?”, Tom Stoppard
(playwright extraordinaire of The Real
Inspector Hound, Rosencrantz and
Guildenstern are Dead,
Years and years
ago, there was a production of The
Tempest, out of doors, at an Oxford college on a lawn, which was the stage,
and the lawn went back towards the lake in the grounds of the college, and the
play began in natural light. But as it
developed, and as it became time for Ariel to say his farewell to the world of The Tempest, the evening had started to
close in and there was some artificial lighting coming on. And as Ariel uttered his last speech, he
turned and he ran across the grass, and he got to the edge of the lake and he
just kept running across the top of the water—the producer having thoughtfully
provided a kind of walkway an inch beneath the water. And you could see and you could hear the plish, plash as he ran away from you across
the top of the lake, until the gloom enveloped him and he disappeared from your
view.
And
as he did so, from the further shore, a firework rocket was ignited, and it
went whoosh into the air, and high up there it burst into lots of sparks, and
all the sparks went out, and he had gone.
When
you look up the stage directions, it says, “Exit Ariel.”